Scroll

The fashion world is boldly staking its claim on the global art map, with exhibitions in some of the most hallowed institutions of fine art around the world. From comprehensive retrospectives to interdisciplinary shows and philosophical examinations, this season’s programming has something for every lover of fashion and art.

Louvre Couture. Art and Fashion: Statement Piece
Paris, France
Until 21 July 2025

The name “Louvre” is shorthand for “world-class museum” – the pithy social media catchphrase “put it in the Louvre” means “this is art”. Hence, the Louvre Museum’s first-ever fashion exhibition may be the final step towards a general appreciation of fashion as art, not just business. In fact, rather than occupying a separate exhibition space, the 65 couture looks in the show are displayed throughout the galleries of the Department of Decorative Arts. Their positioning and styling highlight connections to the museum’s permanent collection, weaving a web of inspiration, attribution, implied themes and overt references, while also showing the shared heritage of craft and techniques employed in the decorative arts.

[Images courtesy of Le Louvre]

Leigh Bowery!
London, UK
Until 31 August 2025

Leigh Bowery was a larger-than-life presence in the worlds of art, fashion, nightlife and music. The Tate Modern’s retrospective offers an overwhelming wealth of original costumes, props, mementoes, diaries, videos and photographs, as well as countless portraits – including the well-known oil painting by Lucian Freud. Taken together, they give a palpable sense of an impressive figure, impossible to pigeonhole as just one thing. Bowery was a seminal artist, performer, model, TV personality, club promoter, fashion designer and musician, but above all, he was a work of art. This exhibition is a fitting tribute to the outsized influence he had during his short 33 years on earth.

[Images courtesy of the Michael Hoppen Gallery © Fergus Greer]

Superfine: Tailoring Black Style
New York, USA
10 May – 26 October 2025

The Met Costume Institute’s annual spring exhibition offers a departure from its recent shows. After a string of vague or broad themes dotted with solo exhibitions, this year’s title promises a laser-focused examination of a specific niche: the black dandy, from the 18th century to today. Mingled with the sense of anticipation, there’s a certain worry that the museum could get it wrong, but so far, it looks like they’ve gotten many things right. For the first time ever, the institute will feature only designers of colour. Every other detail of the exhibition and the opening Met Gala event – from guest curation to official photography, from custom-made mannequin heads to conceptual design for the galleries, and from the Gala co-chairs to the chef in charge of the event’s menu – will also be masterminded by contributors of colour.

[Images courtesy of The Met]

Splash! A Century of Swimming and Style
London, UK
28 March – 17 August 2025

Although the history of swimwear goes back to the 18th century, a time when aquatic activities were more accurately described as ‘bathing’, the origins of what we would recognise as a swimsuit today lie in the early 20th century; this spring and summer, the Design Museum will explore the development of swimming and style since the 1920s. Early models are on display, as well as more recent innovations, both technical (like the full-length “sharkskin” suit that allegedly helped Michael Phelps set one speed record after the other) and sartorial (think: gender-neutral swimwear). Pamela Anderson’s red Baywatch swimsuit, the most iconic item featured, drives home the central point: when we swim, the relationship between our bodies and the water is shaped by design.

[Image courtesy of  The Design Museum © Ackerman + Gruber]

Love Fashion: In Search of Myself
Tokyo, Japan
16 April – 22 June 2025

This wonderfully inventive exhibition, held at the Tokyo Opera City Art Gallery and curated mainly from the collection of the Kyoto Costume Institute, invites viewers “to ponder the various forms of ‘love’ that can be seen in relation to fashion.” 100 garments, 20 accessories and 40 artworks explore the comfort and tenderness of fashion made from and inspired by nature, the self-care and self-loathing contained within the act of dressing up the body, the challenge of accepting one’s own body, the ability to escape rigid (gender) identities through fashion, and the promise of transcending our mundane existence through the magic of design.

Fashion & Interiors. A Gendered Affair.
Antwerp, Belgium
29 March – 3 August 2025

Skirts that transform into tables, house dresses that blend into the patterns of a room’s interiors, gowns made from upholstery fabrics, and interior design items reappropriated as fashion accessories – it’s not hard to find parallels between fashion and interiors. This fascinating show at the Fashion Museum Antwerp explores the manifold connections through the lens of gender. Beginning with 19th-century ideology that placed women firmly in the feminine realm of the home, complete with fashion explicitly relegated to their own four walls, it traces their development through to contemporary reflections on the gendered implications of the domestic.

[Images courtesy of Momu Fashion Museum Antwerp]

Africa Fashion
Chicago, USA
Until 29 June 2025

This jubilant exhibition celebrating the global impact of the African fashion scene was first shown at London’s Victoria and Albert Museum. For its foray across the Atlantic to the Field Museum of Natural History, where it launched as Black History Month was ending, it was expanded by several works relevant to the location, such as a gown by Tunisian couturier Azzedine Alaïa worn by Chicago native and former First Lady Michelle Obama. The entire run is accompanied by another exhibition focused on African fashion in the city, titled Connecting Threads: Africa Fashion in Chicago.

[Image courtesy of The Field Museum]

Iris van Herpen: Sculpting the Senses
Singapore
15 March – 10 August 2025

First held at the Musée des Arts Décoratifs in Paris and now at Singapore’s ArtScience Museum, this exhibition goes way beyond a mere retrospective. It takes visitors inside the imaginative world and creative space of the Dutch designer. Iris van Herpen’s work has always combined the traditional and the innovative, the natural and the technical, the edgy and the ethereal. Since sending a jolt through the fashion world with 3D-printed garments in 2010 and joining the Chambre Syndicale de la Haute Couture in Paris in 2011, the designer’s work has been a steady presence on Paris runways, Hollywood red carpets and magazine covers. Here, we get to explore her themes and inspirations, while also catching a glimpse into her working process.

[Image courtesy of the ArtScience Museum]

[Image at the top: Leigh Bowery! exhibition, courtesy of Tate Modern]


No Comments

Sorry, the comment form is closed at this time.


Related Articles